Welcome to Curated Friday! This week we are paying homage to the next big thing on screen called Stranger Things, which is not only a terrific show, but an elaborate love letter to a time period those of us over 30 remember very well.
Created by the Duffer Brothers and highly influenced by the works of Stephen King and John Carpenter, the show starts from an odd disappearance of a little boy and the discovery of a suspicious government lab, grotesque faceless lone creature and the appearance of a stoic little girl in a small Indiana town in 1983. It is a complete cliffhanger yet fast-paced, I gorged on all eight episodes in two days. Stranger Things is packed with a fantastic voyage through ‘80s design influences, of which we are going to discuss.
There was a two-fold inspiration. One was, in terms of the font [ITC Benguiat] and the title design, going back to those old vintage Stephen King books. We sent 12 different old covers to Imaginary Forces, who were designing the titles — we wanted it to be in the style of these novels. There’s something about when we were kids, when you would open up one of these big fat Stephen King novels that we loved. We wanted the show to have that sort of feeling every time you got to a new chapter.
In addition to Stranger Things, ITC Benguiat typeface is also used in the following logos, movie posters or album covers, including Chariots of Fire, Seventh Son,Black Robe, Melbourne Knights FC, The Last Station, Distant Relatives, Sea of Monsters, Flowers in the Attic.
The main title sequence was created by Imaginary Forces:
A disjointed version of the title starts the sequence which typographically sets the tone for the show. Imbuing the opening with a sense of unease, the music informs the movement of the type as the letterforms slide together to form the title. … mimics an optical look which reflects the time period of the show, it also seems as if light is passing through film, creating a lush haptic quality.
Films and movies
For children of the ’80s, many of the props in Stranger Things were immediately recognizable. Lynda Reiss, the veteran prop master for the series was tasked with wrangling a slew of period-correct gear for the Netflix series, from the boomboxes to the bikes to the cans of pudding. To get the amazing ’80s stuff, Reiss scoured eBay, flea markets, prop rentals, and estate sales in Georgia.
“I don’t want to do a nostalgia-tinged product,” Reiss says in this Wired article about the stories behind the retro 80’s props in Stranger Things. “I want it to be the ’80s. I don’t want it to be what everyone just thinks is the ’80s. Our baseline was the reality of the midwest in 1983.”
1983 was where the era of mixtapes, landlines, children actually playing outside as well as ’80s fashion galore! There’s a good deal of striped polos, plaid skirts, turtlenecks. You can’t forget the muted color palette either — every episode had characters decked out in mustards, browns, and oranges.
Steve in the series is the classic cool kid; he drinks, his parents go away on a Tuesday leaving the house free for parties, and hook-ups. His hair is also at a height Jean-Ralphio Saperstein would be envious of and he has a whole load of smooth lines at his disposal. You can read more on Stranger Things and the style of growing up in this Observer Culture article.
Here’s also a guide on how to dress like the characters in Stranger Things without looking dated, if you are into it.
Watching Stranger Things immerses you in the sounds and the soundtracks of the ‘80s. The Clash’s Should I Stay or Should I Go is a repeated theme here, and other nuggets such as New Order’s Elegia and Modern English’s I Melt with You encapsulate key scenes.
Here’s a complete list of songs from each individual episode from the eight episodes (and yes, Spotify playlist)
But the musicians who really set the tone for Stranger Things are Kyle Dixon and Michael Stein of the Texan synth band S U R V I V E. The duo has been bringing moody synth soundscapes to life since 2008. Their music already contains a bold cinematic quality, their records pulsing with droning hums and glitchy outbursts over layers of icy melodies. But they didn’t land their first Hollywood opportunity until they were approached about licensing two songs off their eponymous full-length record for the 2014 thriller The Guest. For Stranger Things, the Duffer Brothers hired Dixon and Stein to write all original music.
The biggest challenges to creating the soundtrack was to to avoid ’80s musical cliches while staying true to the period, as had been instructed by the producers offer a delicate balance. “They just didn’t want the music to really put it over-the-top and make it too much,” said Stein.
This concludes Curated Friday of the week. If you have any suggestions for design news and topics, feel free to drop an email to firstname.lastname@example.org. Till next week!
- Stranger Things, Fonts In Use
- Stranger Things Font, Font Meme
- 10 films you need to watch if you love ‘Stranger Things’, Daily Dot
- The Stories Behind Stranger Things’ Retro 80’s Props, Wired
- How to Dress Like a ‘Stranger Things’ Character in 2016 Without Looking Dated, Bustle
- ‘Stranger Things’ and the Style of Growing Up: Observer
- Stranger Things soundtrack (complete song listing), What’s On Netflix
- Members of the electronic group Survive discuss their eerie score, LA Times
- Meet the musicians behind the show’s spine-chilling synth score, Salon